Sound & Recording

My recordings are created with a simple goal: to capture the emotional presence of solo acoustic guitar.

Rather than building productions layer by layer, I record each piece as a live performance. This preserves the pacing, resonance, and subtle dynamics that emerge in real time.

I'm interested in sound that feels "in the room" - warm, direct, and personal.

Recording Approach

Most pieces begin as improvisations and are recorded in a single complete take.

I do not overdub parts or assemble performances from multiple takes. Small imperfections are part of the musical moment, and I prefer honesty of expression over technical perfection.

Although the performances are recorded digitally using a direct signal path rather than microphones, I aim to shape the sound so it retains warmth, depth, and a natural sense of presence.

After recording, I may apply light compression, EQ, or ambience to support clarity and depth, but the goal is always to retain the feel of a live acoustic performance.

Guitar

Zager ZAD80CE OM-size acoustic guitar:

• Solid cedar top with rosewood back and sides
• Fishman Presys+ pickup system

I favor instruments that respond quickly to touch and produce a warm, rounded tone suitable for melodic solo playing.

Amplification and Effects

• Fishman Loudbox Artist amplifier
• VSN Tremolo pedal
• Electro-Harmonix Pico 360+ looper (used occasionally)

Effects are used sparingly - mainly to add subtle movement or space rather than to transform the core guitar sound.

Recording Environment

All recordings are made in a home studio setting in the Pacific Northwest.

Quiet spaces and relaxed performance conditions help the music unfold organically.

The goal throughout is not polish, but presence - to let the listener feel as though the guitar is being played just a few feet away.